It Is Well With My Soul
History of Hymns: "It Is Well with My Soul"
"It Is Well with My Soul"
Horatio G. Spafford
The UM Hymnal, No. 377
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When peace, like a river, attendeth my way,
When sorrows like sea billows roll;
Whatever my lot, thou hast taught me to say,
It is well, it is well with my soul.
With this hymn comes one of the most heartrending stories in the annals of hymnody.
The author, Horatio G. Spafford (1828-1888), was a Presbyterian layman
from Chicago. He had established a very successful legal practice as a
young businessman and was also a devout Christian. Among his close
friends were several evangelists including the famous Dwight L. Moody,
also from Chicago.
Spafford’s fortune evaporated in the wake of the great Chicago Fire of
1871. Having invested heavily in real estate along Lake Michigan’s
shoreline, he lost everything overnight. In a saga reminiscent of Job,
his son died a short time before his financial disaster. But the worst
was yet to come.
Hymnologist Kenneth Osbeck tells the story: “Desiring a rest for his
wife and four daughters as well as wishing to join and assist Moody and
[his musician Ira] Sankey in one of their campaigns in Great Britain,
Spafford planned a European trip for his family in 1873. In November of
that year, due to unexpected last-minute business developments, he had
to remain in Chicago, but sent his wife and four daughters on ahead as
scheduled on the S.S. Ville du Havre. He expected to follow in a few
days.
“On November 22 the ship was struck by the Lochearn, an English vessel,
and sank in twelve minutes. Several days later the survivors were
finally landed at Cardiff, Wales, and Mrs. Spafford cabled her husband,
‘Saved alone.’”
Spafford left immediately to join his wife. This hymn is said to have
been penned as he approached the area of the ocean thought to be where
the ship carrying his daughters had sunk.
Another daughter, Bertha, was born in 1878 as well as a son, Horatio,
in 1880, though he later died of scarlet fever. After the birth of
daughter Grace in 1881, Spafford and his wife moved to Jerusalem out of a
deep interest in the Holy Land. There they established the American
Colony, a Christian utopian society engaged in philanthropic activities
among Jews, Muslims and Christians.
After decades of benevolent activities, the Colony ceased to be a
communal society in the 1950s, though it continued in a second life as
the American Colony Hotel, the first home of the talks between Palestine
and Israel that eventually led to the 1983 Oslo Peace Accords.
On a personal note, this was a hymn often sung on Sunday evenings in my
congregation as I was growing up. Its somber and peaceful music,
written by gospel songwriter Philip Bliss (1838-1876) and named after
the ship that carried Spafford’s daughters to their death, was
spellbinding to a young boy. Yet I had difficulties identifying with the
text in many ways.
The hymn came to life for me in the summer of 1981. I had taken a group
of youth to Chicago to work in an inner-city church that housed several
congregations of immigrant groups. I chose to attend the Vietnamese
service, which I was told consisted of refugees from the Vietnam War—the
famous Boat People who had fled Vietnam after the fall of Saigon in
1975.
I hadn’t been back to the Chicago area since I had graduated from a
college in a nearby suburb in 1970. During my time in college, the draft
was reinstated, protests of the Vietnam War were numerous and the riots
surrounding the 1968 Democratic National Convention in the city were
infamous. Returning to Chicago 11 years later, the memories of the
Vietnam War were fresh on my mind.
As the Vietnamese congregation gathered to worship, they sang the same
song every Sunday to begin their worship, “It Is Well with My Soul.” I
didn’t need the words in English as I had memorized them as a boy. I was
amazed at how closely this text, written over 100 years earlier,
coincided with the struggles of these immigrants as they fled a hostile
Vietnam in frail ships, miraculously arriving in Australia and other
places.
As the Vietnamese congregation, now residing in Spafford’s hometown of
Chicago, sang the final stanza, I understood the power of a hymn to
transcend time and culture to address human tragedy with assurance.
Though the hymn begins with loss, it ends in eschatological hope for the
day when “faith shall be sight.”
Dr. Hawn is professor of sacred music at Perkins School of Theology, SMU.
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